上海工程技术大学考研，上海工程技术大学考研专业目录
济南国际摄影双年展第三届高校邀请展
“微芒成阳”亚太地区高校摄影邀请展
—上海工程技术大学
艺术总监：曾毅
总策展：张辉、黄荣华(土耳其)、柳银珪(韩国)
学术主持：姚璐
联合策展人：沈洁
上海工程技术大学
上海工程技术大学艺术设计学院成立于1998年，现设有产品设计、艺术与科技、视觉传达设计、摄影、数字媒体设计、环境设计、工业设计、广告学等八个本科专业；设有产品造型艺术及应用实践、视觉传达设计、会展与空间环境设计、数媒与影像数字化等四个艺术硕士专业方向；设有工业设计、环境设计、视觉与媒体设计、设计历史与理论等四个设计学一级学科硕士学位研究方向。
摄影专业于2002年开始招生本科生，是上海最早开设本科专业的院校，每年招收50人。
专业在遵循“应用型特色大学”的办学理念下，坚持“从胶片到数码”的多元并重教学理念，课程聚焦商业广告、人像、新闻等“实用型”摄影与影视领域的应用能力、创新能力的培养，依托上海以及长三角地带完整的产业结构优势，结合本地区经济发展战略与行业发展现状及人才需求为目标，培养应用实践能力与理论体系具备的从事图片摄影、影视摄影、摄影艺术创作、摄影教育与研究等相关工作者。倡导人才服务于社会，紧跟行业发展，提升就业竞争力。坚持自身国际化特色发展，长期与海外知名院校保持国际合作与交流，定期开展学术交流，加强学生国际化视野与思维的培养。
学生就业去向新闻媒体、企事业单位宣传部门、影视传媒企业、音像出版企业、摄影厂商企业、广告公司、图片制作公司、或自主创业开设个人摄影工作室等。
Shanghai University of Engineering Science
The School of Art and Design of Shanghai University of Engineering Science, founded in 1998, now has eight undergraduate majors, including Product Design, Art and Technology, Visual Communication Design, Photography, Digital Media Design, Environmental Design, Industrial Design and Advertising. There are four major orientations of Master of Arts: Product Plastic Arts and Application Practice, Visual Communication Design, Exhibition and Space Environment Design, Digital Media and Image Digitization. It has four first-class disciplines of design, including Industrial Design, Environmental Design, Visual and Media Design, and Design History and Theory.
The photography major began to recruit undergraduate students in 2002. It is the first university in Shanghai to open an undergraduate major, with 50 students enrolled each year.
Following the school running concept of “Application-Oriented Characteristic University”, the major adheres to the multiple and equal teaching concept of “From Film to digital”. The curriculum focuses on the cultivation of application and innovation capabilities in commercial advertising, portraits, news and other “practical” photography and film and television fields, relying on the advantages of the complete industrial structure in Shanghai and the Yangtze River Delta, and combining the regional economic development strategy, the current situation of the industry development and the demand for talents, cultivating relevant workers engaged in photo photography, film and television photography, photography art creation, photography education and research with practical ability and theoretical system. We advocate talents to serve the society, follow the development of the industry and enhance the competitiveness of employment. We insist on the development of our own international characteristics, maintain long-term international cooperation and exchange with overseas well-known institutions, and regularly conduct academic exchanges to strengthen the cultivation of students’ international vision and thinking.
Students are employed in news media, publicity departments of enterprises and public institutions, film and television media enterprises, audio and video publishing enterprises, photography man ufacturers, advertising companies, picture production companies, or self-employment to open individual photography studio.
谢天 Xie Tian
《静默》
2022年4月的上海，“静默”一词突然成了大家口中使用率最高的词汇。疫情的突袭，将所有人的生活都受到了影响。对于出入口的管理以及防止有可能的“漏洞”，一夜间，所有的地方都被冰冷的铁板包围了起来，里外之间竖起的屏障限制了流动。在这特殊时期记录下来的特殊场景或许在我们的记忆中是不会“静默”的。
《Silence》
In Shanghai in April 2022, the word “silence” suddenly became the most frequently used word. The sudden attack of the epidemic has affected everyone’s life. For the management of entrances and exits and the prevention of possible “loopholes”, overnight, all places were surrounded by cold iron plates, and the barriers erected between the inside and outside restricted the flow. The special scenes recorded in this special period may not be “silent” in our memory.
叶璐莹 Ye Luying
《不同的观看方式》
摄影是一种方式，拍摄内容结合不同的形式可以展示出不同的观看方式。抹去图像的真实性，将不同的内容进行叠加，将不同的空间进行链接，以这样的形式对图像的重新定义。从维度、角度对空间进行重新建立，将不同空间的内容进行选取并图像处理，建立新时空赋予不同的时间地点，在此过程中使用图像拼贴及不同的二维照片转三维的形式对选取素材图像进行二次构图，在维度的转换过程中论述在不同摄影表达形式下达到的不同观感。
《Different Viewing Methods》
Photography is a way to show different viewing methods by combining shooting content with different forms. Erase the authenticity of the image, overlay different contents, link different spaces, and redefine the image in this way. The space is re established from the dimension and perspective, the content of different spaces is selected and image processing is carried out to establish a new time and space with different time and places. In this process, image collage and different two-dimensional photos are used to convert three-dimensional forms to make a second composition of the selected material images. In the process of dimensional conversion, different impressions are discussed in different photographic expression forms.
卞董逸 Bian Dongyi
《沪郊行旅图》
法国画家马蒂斯将他的绘画比成“安乐椅”，来表达艺术最迷人的特质可能便是它的自由性。然而在摄影方面，由于器材的限制，自由地表现一个更广阔的空间十分困难。尽管在拍摄时，角度，距离，位置上稍作改变，受限于单点透视的因素，表现的自由被极大的局限。而中国山水画理论“三远法”便是解放这种限制的良方，画面中同能够时存在一物体的俯视，仰视，平视三种视角。从“三远法”“移步换景”等概念受启发，将这种构图与观察自然的方法与摄影结合，探索这一理论在摄影艺术上的表现可能。
《Shanghai Suburb Travel Map》
The French painter Matisse compared his painting to an “easy chair” to express the most attractive characteristic of art may be its freedom. However, in photography, due to the limitation of equipment, it is very difficult to express a wider space freely. Although the angle, distance and position are slightly changed during shooting, the freedom of expression is greatly limited due to the factors of single point perspective. The Chinese landscape painting theory “Three Distances Method” is a good way to liberate this restriction. There are three perspectives of looking down, looking up, and looking up at an object at the same time in the picture. Inspired by the concepts of “Three Distances Method” and “Changing Scenery”, this paper combines this composition with the method of observing nature with photography to explore the possibility of this theory in the art of photography.
康晨蕾 Kang Chenlei
《聚集》
在当前新型冠状病毒肺炎疫情的影响下，市民不约而同地开始减少出门次数、出门时间，加上天气原因，出门次数减少，出门时间缩短，而商店、公共场所、室内人群密集这些地方会关闭一段时间或限制进入场所的人口数量。因此，本作品运用静态延时摄影的技术重现疫情之前的场景。
《Gathering》
Under the influence of the current epidemic situation of new coronavirus pneumonia, citizens spontaneously began to reduce the number and time of going out. In addition to the weather, the number and time of going out were reduced, while shops, public places and indoor crowded places would be closed for some time or the number of people entering the places would be limited. Therefore, this work uses the technology of static time delay photography to reproduce the scene before the epidemic.
徐墨迪 Xu Modi
《食色》
本作品围绕着各类霉变腐败的蔬果搭配颜色斑斓的抽象性布料进行创作，在袭成形式美中色彩的对于人心理情绪的作用以及材质的独特语义。突破传统静物摄影静谧优雅的风格，以腐败的蔬果为主体，缤纷多彩的布料为背景，通过静物摄影的手法，探索新形式下对于美的理解。将蔬果霉烂时独有的破碎感、新生感、焦灼感融合背景绚烂幻彩的色泽而产生新的画面语言。让观者欣赏领略到生命的鲜活，存在的泠然，形成一种充斥着热情与新奇的美感体现。
《Ahara-rupa》
This work is created around all kinds of moldy and rotten vegetables and fruits with colorful abstract cloth. It is based on the effect of color on people’s psychology and emotions and the unique meaning of materials in the beauty of form. Breaking through the quiet and elegant style of traditional still life photography, with corrupt fruits and vegetables as the main body, and colorful cloth as the background, we explore the understanding of beauty in the new form through still life photography. The unique sense of fragmentation, rebirth and burning when the vegetables and fruits are moldy will be combined with the gorgeous and colorful color of the background to produce a new picture language. Let the audience appreciate the freshness of life and the cool nature of existence, forming an aesthetic expression full of enthusiasm and novelty.
济南国际摄影双年展第三届高校邀请展“微芒成阳-亚太地区高校摄影邀请展”
美国参展院校：旧金山艺术大学
澳大利亚参展院校： 昆士兰艺术学院
日本参展院校： 大阪艺术大学、东京造形大学、日本九州产业大学
韩国参展院校：中央大学、弘益大学、中部大学、大邱艺术大学、韩国放送艺术教育学院
土耳其参展院校：萨班哲大学、科克大学
新加坡参展院校：拉萨尔艺术学院、南洋理工大学
马来西亚参展院校： 拉曼大学学院
泰国参展院校： 兰实大学
印度尼西亚参展院校： 印尼日惹艺术学院
中国台湾地区参展院校： 明道大学
中国参展院校：北京印刷学院、湖北美术学院、黄河科技学院、鲁迅美术学院、南京艺术学院、清华大学美术学院、山东工艺美术学院、上海工程技术大学、上海美术学院、上海师范大学、上海视觉艺术学院、四川美术学院、天津美术学院、西安理工大学、西安美术学院、西安欧亚学院、浙江传媒学院、中国美术学院、中央美术学院
主办单位：中国济南国际摄影双年展组委会
指导单位：中国摄影家协会教育委员会、中国高等教育学会摄影专业委员会
承办单位：西安理工大学艺术与设计学院 、山东工艺美术学院
媒体支持：《中国摄影家》杂志、中国摄影网
艺术总监：曾毅
总策展：张辉、黄荣华(土耳其)、柳银珪(韩国)
学术主持： 姚璐
联合策展人
Agatha Bunanta(印度尼西亚)、Ampannee Satoh(泰国)、Ang Song Nian(新加坡)、敖国兴、白晓丹、戴菲、邓岩、董钧、Eiffel Chong(马来西亚)、Erzan Adam(新加坡)、胡晓阳、吉川直哉(日本)、贾方、矫健、Lachlan Gardiner(澳大利亚)、Laleper Aytek(土耳其)、李小舟、林简娇、刘阳、Nadia Oh Sueh Peng(新加坡)、Oh Soon-Hwa(韩国)、Salleh Japar(新加坡)、沈洁、史民峰、Tan Tay Guan(马来西亚)、Ugrid Jomyin(泰国)、王培蓓、王帅、杨赫、姚璐、张朴、张省会、中里和人(日本)
艺术委员会
鲍昆、百濑俊哉(日本)、曹珽、顾铮、方肃、胡钢锋、李树峰、林路、计卫舸、宿志刚、王保国、王川、王传东、武小川、谢爱军、徐国武、阳丽君、张成义、张希红、钟建明
执行委员会
执行策展人：张一天、高帆
展场设计：吕梦星
微信推广：胡敏瑞、吕梦星、赵懿平
视频拍摄：王天俊、王登轩
英文翻译：张心睿、常永鑫
展览时间：2022年10月25日-11月20日
展览地点：山东工艺美术学院美术馆
中国摄影网签约摄影师申请流程
1、作品类型、风格、主题不限，但必须是以一个完整的专题形式呈现，须提供主题阐述、摄影师的近期 形象照 及个人简介200字左右，其他可以提供包括个人联系方式、摄影经历、荣衔资历，重要获奖、摄影感悟等。
2、个人作品集（每组15-30张，文件格式：JPG，图片宽度 大于3840像素 ，或者文件 大于5M ，不得有水印）须有每幅作品的标题或图片内容说明。
3、将以上两组文件打包压缩成RAR或ZIP格式发送网站编辑部，万能邮箱： cnphotos@163.com 。
4、入选作品，将在签约摄影师作品赏析、名家经典等栏目刊登， 其作品也将登记入库，作图片销售代理，优秀作品将推荐人民网、人民摄影报、澎湃新闻等媒体刊发，同时， 将有资格参与中国摄影网十佳摄影师评选 ，入编《中国摄影网》杂志期刊，颁发签约摄影师证书、入展证书。
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上海工程技术大学考研(上海工程技术大学考研专业目录)